|Statement||with introductions and illustrations.|
|Series||The Harvard classics, ed. by c. w. Ellot., [xvii]|
|Contributions||Dryden, John, 1631-1700., Sheridan, Richard Brinsley, 1751-1816., Goldsmith, Oliver, 1728-1774., Shelley, Percy Bysshe, 1792-1822., Browning, Robert. 1812-1889., Byron, George Gordon Byron, Baron, 1788-1824.|
|LC Classifications||PR1245 .M53|
|The Physical Object|
|Pagination||1 p. l., 444 p., 1 l.|
|Number of Pages||444|
|LC Control Number||09028197|
The period known as the English Renaissance, approximately —, saw a flowering of the drama and all the arts. The two candidates for the earliest comedy in English Nicholas Udall's Ralph Roister Doister (c. ) and the anonymous Gammer Gurton's Needle (c. ), belong to the 16th century. Note: Citations are based on reference standards. However, formatting rules can vary widely between applications and fields of interest or study. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. Encompassing nearly a century of drama, this is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy. Considering the antecedents of the form in Roman, late fifteenth and mid-sixteenth century drama, it analyses its diversity, its theatrical functions and its socio-political significances. The best modern classic books. This modern classics book list is my best guess about the books that matter from a period of not-quite 50 years in the second half of the twentieth century. Somebody else could do their own list of must-read modern classics that has absolutely no overlap with mine, and it would probably be a good list lemoisduvinnaturel.com: Rebecca Hussey.
Jennifer Higginbotham is Associate Professor of English at the Ohio State University, USA. Her book, The Girlhood of Shakespeare’s Sisters: Gender, Transgression, Adolescence, was published in Her scholarly articles on early modern girlhood, drama, and women’s writing have appeared in the journals Modern Philology, Reformation, Literature Compass, and Sixteenth-Century Journal as well. Using dramatic texts such as Othello, Titus Andronicus, and other Early Modern English plays both popular and lesser known, the book shifts the binary away from the currently accepted standard of white/non-white that defines "otherness" in the period and examines race in Early Modern England from the prospective of a non-black/black antagonism. Portraits in Early Modern English Drama studies the complex web of interconnections that grows out of the presentation of portraits as props in early modern English drama. Emanuel Stelzer considers this theory from the Elizabethan age up to the closing of the theatres. Early Modern English Drama: A Critical Companion by Garrett A. Sullivan, Patrick Cheney, Andrew Hadfield and a great selection of related books, art and collectibles available now at lemoisduvinnaturel.com
The absence of drama in most considerations of the "post-modern condition," Stephen Watt argues, demands a renewed exploration of drama's relationships with late capitalist economy, post-Marxian politics, and commodity culture. But Postmodern/Drama asks a provocative question: Does an entity such as postmodern drama in fact exist? Magic and Masculinity in Early Modern English Drama. In this Book. Additional Information. Magic and Masculinity in Early Modern English Drama; By Ian McAdam In addition to appealing to those who study early modern literature and drama, this book will interest scholars of gender and those concerned with the theological basis of human. The Somonyng of Everyman (The Summoning of Everyman), usually referred to simply as Everyman, is a late 15th-century morality lemoisduvinnaturel.com John Bunyan's Christian novel The Pilgrim's Progress, Everyman uses allegorical characters to examine the question Genre: Morality play. The modern drama is characterized by its unique subject matter like the romanticism of the poor, the strict depiction of real life and the use of symbols, imagery and metaphors. Although modern drama evolved over time, its theme of using theater to challenge and experiment upon social norms remained constant.